Monday, April 12, 2010
Response: The American Life
I also liked what he said about anecdotes:
"The Power of the anecdote is so great...No matter how boring the material is, if it is in story form...there is suspense in it, it feels like something's going to happen. The reason why is because literally it's a sequence of events...you can feel through its form [that it's] inherently like being on a train that has a destination...and that you're going to find something..."
This reflects how important it is to engage an audience with a climax. It's apparent that we are drawn to something that is tied-together. I liked how he went on to say that we don't abandon crap enough. We continue with the pre-made standards set for us, while innovating and producing novel ideas falls by the way side....
NEMESIS:
Oh my nemesis. My nemesis. or nemisisses are real. The way I saw them is as shape-shifting humans who alternate between good and evil. The good hooks you in, and then the evil proceeds to take over. All together, I see my nemesese (I don't know the plural) as mostly real but with (maybe) fictional attributes. Ira talked about how you have to get through the crap in life, and I think my nemesis story narrates a point through which I had to sift through a moment in time and try to get away with goodness.
Sunday, April 11, 2010
Open Mic Night
It was cool to see everyone go up there and become a performer for a few minutes. I enjoyed watching everyone present something they felt a connection to. I think the venue was a bit too large and it didn't accomodate well in terms of sound projection. Lighting and room-size would be something to change next time around. I think Kochoff Hall or the lecture room in CASL would be good places to have the event. The room needs to be dark, with a spotlight on the speaker. Also, in terms of publicity, I think it needs to be made a bigger deal. More people need to know about it and as an incentive maybe some kind of panel of judges should watch and judge in order to award the best performers. Competition always brings people out of the wood work. When it comes to the performances, it was nice that they were varied. Everyone brought a different flavor to the table and thats what made it entertaining. All together, I would definitely do it again, we need more activities like this at UMD.
Monday, March 29, 2010
KYTL: Afterthoughts
Sunday, March 28, 2010
Killing Yourself to Live
The way he and Lenore ended their pseudo-relationship was interesting to read but definitely seemed to be a part of the fifteen percent of his story that he embellished. What people say and don't say mean a lot, and the way Chuck tells his story fails to include all those words that fall between. The words that don't really matter and often dull the conversation and in reality bring people back to the fact that our lives aren't always on some kind of rythm that you can play a song to..I think Chuck tries to do that with his immense collection of music and try to live his life through the lens of rock. Music cannot encompass every sphere of our lives and finish our sentences...I think that would be the precise reason as to why Chuck's story cannot be 100% real--he's too busy trying to sync it up with the beat..
Monday, March 15, 2010
Whas Happnin

Sunday, February 28, 2010
PostSECRET...
don't think I would want to share my secrets with the world, I am a believer in cherishing the sanctity of your own little secrets. Big, harmful ones, no. But the ones that need no validation or critique from anyone else, whether you're asking for that or not, are the most sweet. The solitude of your own mind can be liberating...
Friday, February 19, 2010
poe.try.
It sat in the upper right hand corner of the shelf
Mahogany and dust filled all of the other nooks,
except this one.
Light flecked off of each cut of the crystal
From time to time it caught his eye
He peered up at it whenever his pen was too heavy,
Or his papers became too thick
It sat, perfectly still,
Just like it is now
But with every ray of sun,
He could see it beat
Sometimes so quickly
That it became a glorious hum
With a creak and rustle,
he would lean back against the warm leather,
And watch the luminous gleam set with the sinking sun
Guests stopped and inspected
He wouldn’t tell them,
But always thought to say:
“Call her crazy, but she gave me her heart,
And there it is, up in that nook forever”
Monday, February 8, 2010
Whas Happnin
http://www.airbagonoff.com/airbag%20safety.htm
Just an informational read, I would check it out because you never know when you might get in an accident.
mmm Haiku
Silver,shining hair
Subtle sorrow in her eyes
I love my mother
--
Reminisce
We laugh in the car
Moonlight quickly disappears
Memory always
---
Liberation
She covers herself
They say she is oppressed
She is the most free
---
Winter
Bitter cold burns skin
Gray skies envelope the sun
The Oaks are now bare
Sunday, February 7, 2010
mmm...poetry
by C. P. Cavafy Translated by Edmund Keeley
You said: "I'll go to another country. go to another shore,
find another city better than this one.
Whatever I try to do is fated to turn out wrong
and my heart lies buried like something dead.
How long can I let my mind moulder in this place?
Wherever I turn, wherever I look,
I see the black ruins of my life, here,
where I've spent so many years, wasted them, destroyed them totally."
You won't find a new country, won't find another shore.
This city will always pursue you.
You'll walk the same streets, grow old
in the same neighborhoods, turn gray in these same houses.
You'll always end up in this city. Don't hope for things elsewhere:
there's no ship for you, there's no road.
Now that you've wasted your life here, in this small corner,
you've destroyed it everywhere in the world.
I appreciated this poem because it speaks of the illusion of travel. Existence can be a hard pill to swallow and this poem reflects what I believe to be an innate struggle: the want to escape. When things get tough or our surroundings feel dull, I think human beings want to get up and leave their lives in search of something new, exciting and novel. That seemingly wonderful elixir we make world travel out to be can turn poisonous quite fast. This poem talks about being trapped in the city, yet the very last line holds the intended meaning. ‘You’ve destroyed it everywhere in the world’—think about what this means, the author seems to be telling us that if you waste your life in one place, you’ve wasted it everywhere in the world. Humans are always reaching for the next level, always wanting more and this poem reflects how the chase for euphoria can be destructive. In my opinion, there is no such thing as sustainable happiness, there is only contentedness. We are all limited by circumstance, and through these circumstances we must realize that some things will be attainable while others will not. It’s not to say that we should settle, but rather we should be satisfied with that which we cannot change.
Man in the street
He claps a hand
Across the gaping hole
Or else the sight might
Well inside to
Melt the mind (if any
Thinking spoke
Were in the wheel,
Or any real
Fright-fragments broke
Out of the gorge to
Soak the breast, the meaning
Might incite a stroke—best
Press against it, close
The clawhole, stand
In stupor, petrified. The dream
Be damned, the deeps defied.
The hands to keep
The scream inside
--Heather McHugh
THIS POEM WAS AWESOME
And I’m still not sure exactly why…
I didn’t understand what was happening, but it was so dramatic I pictured some movie-like scene. I really liked how once again, the climax is at the end. Her usage of verbs and the way she rhymed the words brimmed with a sense of drama that made the poem read well in my head. I actually liked how it was difficult to understand what it meant because it forces you to read it over and think what she meant by each part. I would say that this poem was artfully confusing.
We live in deeds, not years; in thoughts, not breaths
by Philip James Bailey
We live in deeds, not years; in thoughts, not breaths;
In feelings, not in figures on a dial.
We should count time by heart-throbs. He most lives
Who thinks most, feels the noblest, acts the best.
And he whose heart beats quickest lives the longest:
Lives in one hour more than in years do some
Whose fat blood sleeps as it slips along their veins.
Life's but a means unto an end; that end,
Beginning, mean, and end to all things—God.
The dead have all the glory of the world.
I loved this poem because it reflected the ‘Carpe Diem’ type of thought. Life is short and to live each moment with urgency seems only appropriate when you consider that death is ultimate reality. This poem had a moral background, which personally, I liked. It fell in with how I see things. I really like the motivational flare as well, it seemed to be a poem that is trying to call people toward living life to the fullest and really appreciating the sanctity of time. Did you notice the term 'fat blood'--loved that. Fat blood makes one think of a person who is so gluttonous that even their blood is lazy and slips through their veins slowly. The heart beat being quick also reflects the idea that one is moving, acting, and DOING. Action with intention behind them is to be essentially human, and I think this poem touched on that quite well...
Thursday, February 4, 2010
Makkah

i m a g i n e...
The quiet of the night is sparsely broken with a passing car rumbling down the streets and the murmur of television in the other room. I am waiting for the night silence to be broken by the call to prayer. The cold, dry Michigan air is turning my skin to crocodile scales as I cucoon myself in layers of sheets and bedcovers. I long for the humid desert air to moisten my sinuses and fill my lungs, I long for Arabia. I miss Saudi with such fervor, I often succomb to a blissful day dream. This daydream is the culprit that steals me away from the present and envelopes me in its vivid detail. I imagine my brother's simple, yet cozy apartment in Mecca. It is just before dawn and the stillness of the night is at its peak. Suddenly with the utmost clarity, the call to prayer reverberates through every fixture of the abode. The apartment suddenly grows with life as everyone leaps out of bed in the rush to prayer. The once empty streets are filled with people pacing quickly through the paved roads. The faint light of a disappearing moon leads the people through the enveloping darkness. As I draw nearer and nearer to the most holy mosque, the shining lights and eloquent boom of the the 'Adhaan' swims through the air for my eyes and ears to taste. As I turn the final corner through the winding streets, the minarets reaching for the heavens, glowing with light, expel the air from my lungs leaving me breathless in awe. The prayer of thousands concentrated in this holy city is overwhelming. I stand to pray, shoulder to shoulder, side to side with my brothers and sisters for only one reason: to glorify the Lord. The Imam leads the prayer with such eloquence and perfect allocution of the Qur'an that every word is brimming with its intended meaning. The subtle, yet surgical fluctiuation in his voice sings the praises of the Lord that we so often recite. I imagine the scene, of which I've been so blessed to experience before.
My life feels incomplete without another visit.
till then, my dreams are monopolized by this incredible dream.
Saturday, January 30, 2010
T-dot.

Thursday, January 21, 2010
MY FAVE FOLKTALE

The version I am most familiar with is the first listed on this webpage (as recorded by Joseph Jacobs)
http://www.pitt.edu/~dash/type0328jack.html <<--Please read this before you read my rough draft of the new version of J&TB. In choosing this version, I determined that the narrative point of view is: Third Person Limited Omniscient >>This point of view reflects the structure in that the narrator is focusing on Jack’s feelings and thoughts in the story
So, now to tell the story from a different angle…let’s see how THE GIANT feels about Jack and his nosy beanstalk.
Monday, January 11, 2010
Intro
I'm a student at UMD studying English/Secondary Education and minoring in Psych.